中国漆艺鉴赏 - 江西科技师范大学 - “汉语为桥,云聚江西” 2021年“汉语桥”线上团组交流项目 - 汉语桥团组在线体验平台

“Chinese bridging the world, Virtual Gatherings in Jiangxi!”2021“Chinese Bridge”Online Exchange Program

“汉语为桥,云聚江西” 2021年“汉语桥”线上团组交流项目

Appreciation of Chinese Lacquer Art

中国漆艺鉴赏

Course Syllabus 课程章节

2

Lacquer in Chinese people’s life has a history as long as that of Chinese civilization. In ancient times, only noble families were permitted to use delicate lacquerware which continued to exist in Qing dynasty when there still were detailed regulations on lacquer usage. According to that, lacquerware was only for people who were in a higher position than literati and officialdom. People without any official titles were not qualified to use lacquerware. According to Discourses on Salt and Iron, a historical records of West Han dynasty, “a cup needs a hundred people to lacquer and a screen needs ten thousand people to lacquer.” From this we can see, lacquerware was extremely luxurious in ancient times, even more luxurious than luxuries in modern times. This course presents all lacquer works from the earliest unearthed lacquerware to modern lacquer painting in a chronological order, and share with all of you their art characteristics, aesthetic taste and functions based on social and cultural background of each period.

中国人用漆的历史几乎与整个中国文明一样久远,精美的漆器在古代只有身份地位很高的贵族豪门才能使用,一直延续到清代还有官方详细的用漆制度,如士以上才能按照等级来使用色漆,所谓“庶人”则没有资格使用。西汉的著名史书《盐铁论》中又说“一杯棬百人之力,一屏风就万人之功”,漆器的豪华程度可见一般,所以古代的漆器简直比我们现代的奢侈品还要奢侈。

本课程以时间为线索,从已知最早的出土漆器一直到我们的现代漆画,结合每个时期的社会文化背景从工艺特点、审美趣味及使用性功能等方面来给大家进行一个全面的分享。


General Courses 通用课程